At the 2018 Petite Masters Panel - Going to a World Wrestling match, ending up at a Bolshoi Ballet
Classic broad shouldered, cylindrical cluster morphology of Petite Sirah |
California grown Petite Sirah (a.k.a. Durif) has never
been counted among the world’s “great” red wines; despite an evidently
fanatical fan base, driving steadily growing production (there are now over 1,000
brands of California Petite Sirah, which is well over 10 times more than there
were just 15 years ago).
Yet this also-ran image might change. I
caught at least a glimmer of that at an event called Petite Masters Panel and Walk
Around Tasting, put on by P.S. I Love You – that indefatigable “Petite Sirah
Advocacy Organization” – at Culinary Institute of America’s Copia Classroom
this past March 18, 2018.
But I don’t think even the Petite Sirah
fanatics who attended this sold-out event expected this to happen. When you put
together a winemaker panel/tasting called “Masters,” you expect a presentation
by a group of skilled practitioners of said varietal. As has become the custom
of modern-day California wine culture, it’s all about winemakers, and what they
can do with a grape.
By the same token, it’s all about a
grape, or its varietal expression. If it sounds like I’m stating the obvious,
it’s probably because you don’t look at wine the exact same way that I do. I
think the grape is important, but just not the most important factor when it
comes to what makes wines interesting. Winemakers, even less so.
Copia Classroom set for Petite Masters Panel (image courtesy of P.S. I Love You) |
True, I was weaned on California wine
as a burgeoning wine professional back in the 1970s. But I was also taught that
it’s all about vineyards, or regions or sub-regions. You know – that quaint old
French (and German, because in the ‘70s German wines were a big deal) notion
that the most defining element of a fine wine is where it’s grown, and the
invariable “sense of place” that the best wines show. Which is why, as a
20-something sommelier, I went through the usual young sommelier motions of
memorizing entire lists of Bordeaux and Burgundy crus, and all the top villages and einzellage in and around the Rhine and Moselle, the same way that I
memorized every word and motion of the Latin mass as an altar boy.
When you think of Petite Sirah – even
the best or most bodacious Petite Sirahs – the last thing you think about is
“sense of place.” You don’t whisper the names of top Petite Sirah vineyards
with awe or reverence. Instead, you think of the pleasures of Petite Sirah’s
“varietal character” when stuffed into a bottle: large, densely textured
flavors, and heady aromas of blueberry-ish fruit laced with peppery spice,
preferably with some “smoke-of-oak” – the more oak the better for many Petite
Sirah lovers (my apologies to P.S. I Love You members who may have jumped off
the oak-train some time ago).
But at the Petite Masters Panel
discussion and tasting, lo and behold all of the sudden there was talk about
the importance of vineyard sources. Maybe it was because the discussion started
off with Tegan Passalacqua of Turley Wine Cellars – once (granted, 15 to 25
years ago) the paragon of grotesquely oversized Zinfandel, but now the poster
child for terroir obsessed Zinfandel –
who spoke for 10 minutes straight about the history and topography of Napa Valley’s
Hayne Vineyard without once mentioning winemaking techniques, barrel
choices, blending tricks, or any of the usual yada
yada expected out of winemakers.
Petite Masters Panel: Tegan Passlacqua, Russell Bevan, Aaron Pott, Tres Goetting and Michael Hirby (image courtesy of P.S. I Love You) |
Talk of terroir at a Petite Sirah seminar? That would be like going to a
World Wrestling match and seeing a Bolshoi Ballet instead.
Later, during the question-and-answer
phase of the presentation, Passalacqua came out and explicated exactly what he had
been trying to infer during his previous talk: That Petite Sirah is most
interesting when it expresses “place not process.” And in a not-so-subtle crack
at winemakers with a mania for pushing wines into permutations beyond what
comes natural to a given vineyard for the sake of their craft or art, Passalacqua added: “Mark Twain once said 'be yourself' is about the worse advice you
can give to some people.”
All the same, the Petite Masters panel
was a harmonious one – a teary lovefest of vintners professing mutual respect, cheered on by sommelier/moderator Chris Sawyer.
In fact, Passalacqua’s emotion was largely (not entirely) seconded by the four speakers
who came after him – Russell Bevan (CHASE Cellars), Aaron Pott (¿ComoNo?), Tres Goetting (Robert Biale Vineyards), and Mike Hirby (Relic WineCellars) – as well as reinforced by the five different Petite Sirah bottlings
presented as evidence: Each wine (all Napa Valley grown) showing nuanced
distinctions that we just might not have identified as vineyard related
qualities without Passalacqua’s “place-not-process” suggestion.
Petite Sirah harvest |
The five Petite Masters panelists’
wines, in the order presented:
2014
Turley Wine Cellars, Hayne Vineyard, Napa Valley
– Generously perfumed blueberry nose. On the palate, full body with a sense of
moderation; dense, firm, meaty and rounded tannin pushing the blueberry-focused
profile (virtually oak-free) forward in the front, middle and finish. Commented
Passalacqua, “These Petite Sirah vines were planted by Otty Hayne in St. Helena in 1953 – all
head trained, dry farmed on 10’ by 8’ spacing – and happen to sit in historically
the best soils of Napa Valley, close to Spottswoode, To Kalon and Inglenook
nearby... Petite Sirah ages like a World War II vet – someone who is rough when
he’s young and becomes a delicate old soul as he grows older, when you wouldn't believe he has a tattoo that says ‘killer’ on his arm.”
2016
CHASE Cellars, Barberis Vineyard, Napa Valley – Black-purplish
color and aromas of black and blue berries, tinged with smoky coffee spice,
brambly and lavender-like notes – of the five panel wines, the most pronounced
in underlying chaparral sensations. On the palate, big and brawny with
typically “tough” tannin, monolithic feel of the grape, yet sufficiently rounded to give a
chocolaty rich texturing. Bevan added: “This wine is grown in Calistoga, on
heavy clay... Our goal was to produce a wine that is balanced and seductive...
the CHASE is the only wine that doesn’t use new oak, although I thought all the
wines presented by the panel have a femininity, and high level of execution of
winemaking by winemakers who stand out of the way to allow real site
expression... as a winemaker, your job is to remove your narcissism, and let
the site be the queen, the rock star.”
2013
¿Como No?, Napa Valley
– A little more sweetly ripened blueberry nose with smoky oak tones; somewhat
lean, lanky, svelte feel to its otherwise burly body, with both a tart edge and
customary “wall of tannin” bolstering the varietal profile. In his remarks,
Pott affectionately described owner/grower Carl Doumani (former owner of Stags' Leap Winery, where he kept the varietal home fires burning with his
still-legendary “Petite Syrah” bottliings) as a “sneaky Lebanese” and “bon
vivant.” The 2-acre Stags Leap District ¿Como
No? vineyard – just adjacent to Shafer’s Hillside Select Vineyards – is
described as sitting on “very unusual volcanic hillsides, with rocks ranging in
size from boulders to pea size stones... it can get very cold and very hot,
with great diurnal shifts.” In the winery, Pott says: “We add no sulfur dioxide or yeast and only use a
small cocktail of organic nutrients to assist the fermentation... Wines are
left on skins for up to 80 days.... drained directly to barrels warm, 33% new,
all French.”
2015
Robert Biale Vineyards, Royal Punishers, Napa Valley
– Properly black-purplish color, and sweet berry aroma marked by a tight
minerally/stony quality. Full, firm, tight and zesty sensations on the palate;
the meaty fruit qualities finishing with unruly, youthful stinginess. Asserts
Goetting, “I believe in ‘process,’ but process as a way to best show a
‘place’... The Royal Punishers is grown in the Carpy Conolly Ranch in
Rutherford; in deep, rich, heavy, fertile soils – we get strong tannins, which
are also soft, like a ‘kitten’... Because
the soils are so heavy and deep at this site, the vines are vigorous, so I drop
the shoulders off of each cluster just before bunch closure, do a little fruit
thinning of any excessive clusters, plus some morning-side leafing and a final
drop of green or lagging clusters after veraison... This really helps balance
fruit load and concentrate flavors.” In the winery, Goetting says, “I will
co-ferment with as many as 8 different varieties,” although he did not clarify with any specifics in this particular Royal Punishers. He adds, “I use a
commercial yeast strain that is conducive to slower and cooler fermentations,
and do cap punch-downs three times per day at peak of ferment... I then go to
35% new French Burgundy barrels.” Goetting opines, “Winemakers need to be aware
and sensitive to the characters of a vineyard and not get in the way of these
characters by fermenting at too high of a temperature, using aggressive yeast
strains, over-extracting tannin, using too much new oak, etc.,” while
describing the “soft and plush mouth-feel and lovely minerality” of Royal
Punishers as the results of allowing the “wine to speak of where it was grown.”
2015 Relic Wine Cellars, Old Vine, Napa Valley – Vivid purplish color and sweet toned fruit tinged
with toasted almond/walnut notes, distinct from any other Petite Sirah tasted that
day. Youthfully tight, dense, sweet toned, with muscular tannin and good acid
balance (also the zestiest of the day). Hirby’s comments: “The vineyard is
located in the Calistoga region, at the end of Pickett Rd., adjacent to the Eisele
and Alfred Frediani vineyards... The old vines were planted by the family in
1939 as a mix of Petite Sirah along with some Gamay, Carignan and other
grapes... The soils are some of the youngest in Napa Valley, consisting of
decomposed volcanic rocks and stones, and so the vines, though 75 years old,
still look ‘young,’ with smaller trunks... We do ‘nothing’ to the vineyard
except for good pruning, and my ‘process’ is very simple – fermentation with a native,
complex yeast community (half in French oak puncheons), no acid or water
additions, native ML in barrel (50% new), bottling unfiltered... If anything, wines
from this site have a regional typicity that supercedes varietal character to a
certain extent... I think of it like warm-sand-oak trees-on-a-hot-day kind of
aroma.”
Tegan Passalacqua |
Additional
notes on some of my favorite Petite Sirahs tasted during the walk-around
tasting following the panel discussion at Copia (in alphabetical order):
2012 Aratás, Napa Valley – Kudos to this winery for daring to specialize exclusively in Petite
Sirah, and to Founder Stephanie Douglas for being the primary organizer of this
Petite Masters panel and tasting. This bottling, coming from Douglas’ Oak Knoll District estate, is a focused, balanced rendering of the varietal; zesty with acidity
and moderate (for Petite Sirah, at 14.5% alcohol) in weight; native
yeast/unfiltered protocols playing up a floral, perfumey profile.
2015 Robert Biale Vineyards, Palisades Vineyard, Calistoga, Napa Valley - Sweet, plummy, almost hoisin-like exotic, ripe fruit aroma with dusty earth and a smack of old leather; rich sensations nothwithstanding dense tannin thickening the meaty, plummy fruit qualities. Additional thanks to Robert Biale Vineyards co-owner Dave Pramuk for his hand in organizing the Petite Masters Panel.
2015 Robert Biale Vineyards, Palisades Vineyard, Calistoga, Napa Valley - Sweet, plummy, almost hoisin-like exotic, ripe fruit aroma with dusty earth and a smack of old leather; rich sensations nothwithstanding dense tannin thickening the meaty, plummy fruit qualities. Additional thanks to Robert Biale Vineyards co-owner Dave Pramuk for his hand in organizing the Petite Masters Panel.
(image courtesy of P.S. I Love You) |
2014 Stags' Leap Winery, Ne Cede Malis, Napa Valley – From the Stags' Leap estate’s 5-acre
old vine (planted 1929) block in the Stags Leap District; a field crush consisting of 85% Petite Sirah
with Carignan, Mourvèdre,
Grenache, Peloursin, Syrah, Viognier, Sauvignon Blanc, a Muscat variant, Marsanne, Roussanne, and possibly more. Focused, concentrated nose of black and blue fruits with a touch of
violet and twist of pepper and oak spice; densely textured, savory feel, big
yet laudably even keeled from start to finish.
Tres Sabores, Guarino Vineyard, Calistoga, Napa
Valley – Super-cracked peppercorn nose (easily wins "Most Peppery Petite Sirah of the Day" award) infused in ripe black and blue varietal fruit qualities;
medium-full, firming (not excessive) tannin, and a zesty feel giving a good
lift to the bright, jumpy, ultra-spiced fruit.
(image courtesy of P.S. I Love You) |
2015 Turley Wine Cellars, Pesenti Vineyard, Paso Robles – Purplish black color; extremely spicy (nostril tingling peppercorn), smoky, flowery laser beam nose; full, meaty, tightly woven and layered; firm tannins carrying, rather than overwhelming, the velvety, spiced/floral sensations.
2015 Turley Wine Cellars, Rattlesnake Ridge, Howell Mountain, Napa Valley – Black fruit also falling on the more floral/violet side of the varietal profile, tinged by distinctly scrubby forest floor/wild chaparral-like notes. Thick, juicy, compact, layered feel to earth toned, floral fruit sensations.
Turley Wine Cellars' Pesenti Vineyard, Paso Robles |
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